It’s cold as Minnesota

Got back home to Washington last night just before an insane storm hit which has knocked out power for all of Whidbey Island, likely to last several days. Yikes. Fortunately, we’ve got a generator and (at least temporarily) an internet connection, and I wrote up a few days of posts before getting here, so I won’t be too much MIA.

Anyways, it’s getting to be that time of year when everyone and their kid brother is making a “Best of the year” list. You may have noticed mine isn’t ready yet, but don’t worry, it’s on its way.

Part of the reason for the delay is that I’m enjoying the chance to go through all the other lists out there to see what I might have missed during the year. Because of this, I’ve listened to more new records recently than any other time of the year. A few have become late additions to my own list, and a few more won’t quite make it but I still wanted to talk about.

This left two options: either a) expand the list or b) take a week or so to talk about the ones that won’t quite make it. I was tempted to go with option A because I love obsessing over lists, but eventually decided that it might get a little ridiculous trying to differentiate between my 40th and 41st favorite record.

So here’s the first of a few short album reviews of the (not quite) best of 2006:

Math and Physics Clubself-titled LP

I liked their EPs, so I was delighted to see that Seattle-based twee-pop favorites Math and Physics Club finally came with a full-length. They don’t disappoint, providing ten very enjoyable Belle and Sebastian sound-alike songs. If that’s not your thing, you probably won’t care for them much, but (as might be apparent from my recent posting) “Belle and Sebastian sound-alikes” borders on being my favorite musical genre, so I’m happy. It misses out on the top 25 because, while all the songs are good, only one (“Cold as Minnesota”) really knocks my socks off. It’s a great record to put on while I’m doing something else, but it’s missing variation between songs which could help really keep the attention.

Cold as Minnesota
Darling, Please Come Home

And while I’m speaking of end-of-the-year lists, let me strongly recommend you check out Yeti Don’t Dance to find out what albums you have to put on yours if you want any indie-cred.

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You find magic from your God, and we find magic everywhere

Yes, they’re ubiquitous on blogs these days, but there are so many Christmas songs out there that I can’t help the urge to add a post myself. To be fair, I did my best to limit it to songs that haven’t shown up elsewhere so at least you can get something a little bit different.

The Christians and the Pagans – Dar Williams
Sure Don’t Feel Like Christmas – The Mighty Mighty Bosstones
The Christmas Song – The Raveonettes
Christmas at the Zoo – The Flaming Lips
Sometimes You Have to Work on Christmas – Harvey Danger

Okay, to be fair, that Raveonettes song has been posted by a bunch of other people but it’s just so great I couldn’t help myself.

Also, I feel terrible not including “All I Wanted Was a Skateboard” by Super Deluxe, which might be my favorite Christmas song of all, but I’m still without my own computer which means my access to the more obscure music is severely limited. I can suggest that you head over to their website to hear it yourself (scroll down to the bottom, where you’ll also find a great cover of “God Rest Ye Merry Gentlemen”).

And while I’m at it, here’s one of my favorite old Saturday Night Live bits, where Steve Martin lists off his Christmas wishes:

Five Christmas Wishes – Steve Martin

Finally, what Christmas post (especially one in the middle of an insane war) would be complete without a mention of that classic “Happy Xmas (War is Over” by John Lennon? Instead of linking to an MP3, though, I’m going to suggest you watch a video slideshow about the genocide in Darfur that Newsweek has put together using the song as a soundtrack. Pretty powerful stuff.

That’s it from me for a little while. I’m heading back home to Washington tomorrow, which means no posting. And, since Oak Harbor is slightly less computed-friendly than the Dartmouth campus, it might go slowly there until I get my beloved iBook back.

Happy Holidays

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Politics Tuesday – Obama

It’s been over a month since the election, which means it’s past time to start thinking about the upcoming Presidential campaign.

To be clear from the get-go, I’m not committed to anyone in particular yet. I can say that of the likely candidates the two I like the most are the two “frontrunners:” Obama and Clinton, for some different reasons. And I really like Gore a lot, so if he decided to enter, I’d have a hard time supporting someone else. But the first primary isn’t for over a year, so there’s plenty of time to sort these things out.

With that in mind, I’ll be sure to write about the various other folks over the next few months when the mood strikes me. To start, since pretty much the whole world is already talking about the guy, and he just finished a trip out here to little ol’ New Hampshire fueling even more speculation about a Presidential bid (with a number of sources citing the rather absurdly precise guess that there’s an 80% chance he’ll run), now seems as good a time as any for some thoughts on Obama.

Completely bracketing the question of whether he’s the best fit for the White House, I really hope that Obama runs, for a couple reasons. First, even if he can’t (or shouldn’t) win now, he’s going to be an important player in the future of the Democratic Party, and a race now to get his name out there and possibly set him up for Vice-President (getting him out of the Senate – where Presidential candidates go to die) is a good thing. Second, he’s perceived as a big deal – if another Democrat beats him, I think that will help him or her to generate some momentum and credibility for the main campaign. Third, and perhaps most important, I think that having him in the race will be good for politics in the broad sense.

Third Planet – Modest Mouse

It’s not my favorite of their albums, but it might be their best, and no part of The Moon and Antarctica is better than the opening line: “Everything that keeps us together is falling apart.” In seven words, the zeitgeist of our era is summed up, setting the stage for a record that will delve deeply into our sense of isolation. It taps into the inescapable feeling that, even as the world grows smaller, the things which hold us together are fracturing.

It calls to mind another great line: “things fall apart, the center cannot hold.” This is as true in politics as anywhere else in society. Even though political rhetoric increasingly emphasizes the importance of the center (moderates, swing voters, independents, etc.) politics itself is often little more than a battle between increasingly divided and embittered sides. And while many pay lip service to bipartisanship, in practice this only means forcing the other side to sign onto your ideas.

Some might argue that there is nothing wrong with this: after all, Clinton exploited these factors to fine effect with his strategy of triangulation. Then there is the opposite side of the same coin: the Bush/Rove strategy of throwing red meat to the base and splitting off just enough of the center to run the tables garnered them a number of big wins. The uniting factor in both approaches is the strategic calculation of what compromises must be made to siphon off just enough of the center. Perhaps the lesson to draw is that this is simply the reality of modern politics and the solution is to be better at it than the other side.

Obama, however, does not think so, and I’m inclined to agree with him.

The problem with that understanding of politics is its fundamental negativity. It accepts that battles must be fought at the margins, it accepts that the is little room for politicians to tap into broad values or ideals which can bridge divides, and it accepts that . In short, it treats the battlegrounds as a given and merely asks us to fight better than the enemy.

Don’t get me wrong: some of these factors are immutable, and I wouldn’t support any candidate who promotes compromise for its own sake without regard to the consequences.

Unfortunately, I’ve read a number of articles about Obama suggesting something along these lines: that his primary message is bipartisanship. To me, that suggests just how important his real message is. And that is simply: hope. Hope for a political framework that encourages unity. Belief that if we can remember the plethora of ways that we agree, it will be possible to engage in fair and honest debate about those places where we disagree.

This is an incredibly powerful message, as anyone who saw his speech at the 2004 Convention should understand. If you didn’t, I strongly urge you to check out out, or download it and hear for yourself. A brief excerpt of the most inspiring section:

“Now even as we speak, there are those who are preparing to divide us — the spin masters, the negative ad peddlers who embrace the politics of “anything goes.” Well, I say to them tonight, there is not a liberal America and a conservative America — there is the United States of America. There is not a Black America and a White America and Latino America and Asian America — there’s the United States of America.

The pundits like to slice-and-dice our country into Red States and Blue States; Red States for Republicans, Blue States for Democrats. But I’ve got news for them, too. We worship an awesome God in the Blue States, and we don’t like federal agents poking around in our libraries in the Red States. We coach Little League in the Blue States and yes, we’ve got some gay friends in the Red States. There are patriots who opposed the war in Iraq and there are patriots who supported the war in Iraq. We are one people, all of us pledging allegiance to the stars and stripes, all of us defending the United States of America.

In the end, that’s what this election is about. Do we participate in a politics of cynicism or do we participate in a politics of hope?”

Hope – The Submarines

This is why Obama is a truly unique and important voice. He is building an idea of America that the overwhelming majority of this country will support and which is inextricably tied to progressive, liberal politics.

Hope, hope in the future, hope that America can fully live up to its ideals. But not a blind hope, not needless optimism. It is a hope built out of our shared beliefs and desires, which casts an enormous shadow, encompassing everyone from radical environmentalists to advocates for reproductive freedom, to working class families concerned about maintaining their standard of living, to people worried about genocide in Darfur or living conditions in downtown Detroit. Christians and atheists, red states and blue states, whites, blacks, Latinos, Asians, Native Americans, everyone…Obama is inviting us all to discover what unites us rather than what divides us.

In doing so he is not saying anything that we haven’t heard before, but he is saying it in a way that few Democrats have been willing or able to for a very long time. For too long, Democrats have been perceived as reactive, without a unique vision for the future. They are perceived by many as weathervanes, testing the public will and then responding accordingly. Or, they have been perceived as radically liberal, far outside the boundaries of contemporary civic and political discourse.

Of course, a large part of this is spin – what some may call “flip flops” another might call “attention to nuance” – but fair or not, those perceptions have shaped public opinion, making it difficult to win elections or to build a broad progressive coalition. Gore and (especially) Kerry lost the spin war on the question of a firm political vision. I think it is important that the next candidate take on this fight directly, not by sacrificing nuance, but by articulating an overarching belief in America which accounts for and requires a willingness to recognize shades of grey and openness to tough decisions.

As I said, this does not mean that Obama would avoid taking a stance on contentious questions: quite the opposite. His vision of politics is one where people can hold contending beliefs, but find room to discuss them openly.

Why is this important? At the most basic level, because progressives and liberals will win elections if politics is organized this way. The more the public is willing to consider details and nuance, the better off we will be. The less that tricks matter, the better we will be. And the more that real values are considered, the better we’ll be. This is true because, in general, the public agrees with us.

I know conservatives say the same thing, and in many ways they’re right. But I think they’re only right because we let them be right. We have ceded control over the framing of politics to the Right. In their world, people don’t like the government taking their money, they like America to be strong, and they don’t want people to behave immorally.

The problem is, that’s not really any different than the progressive perspective, except for framing. The Right says “the Democrats will raise taxes” and we should be saying “the Republicans won’t pay for education, health care, Social Security, energy security, etc.”

The Right says “we want America to be strong” and we should be saying “we want America to be strong, but our strength does not only come at the barrel of a gun – it also comes from our moral strength, our willingness to improve the lives of every person on this planet, and our economic strength. Anyone can be a bully, but as we learned from Spiderman, ‘with great strength comes great responsibility.’ We can and should be strong enough to exercise our power judiciously and wisely.”

The Right says “morals matter” and we agree. We disagree about some of those values (abortion, gay marriage, the role of religion in public life), but we agree on the overwhelming majority of them: life, liberty, and the pursuit of happiness. In general, we find that people should have the opportunity to a good education, job opportunities, freedom from discrimination, and the chance to live the life they want to live.

This does not mean there are no differences, nor that we should avoid arguments about those differences. To the contrary, it means we should pursue those matters in great detail. But it changes how we think about them. In this conception gay marriage is not a war between two sides, both of whom find the other to be immoral and despicable. Rather, it is a discussion among many people who share the basic ideals (the importance of love and caring families) but disagree about how those can be achieved.

If that is the case, we have space to discuss. And this is where progressives win, because in the end, people will agree with us. Values are fundamental but how we interpret those values can change. For example, in the status quo, gay marriage is considered untouchable by most Democrats because polls consistently show the majority of America is against it. But those same polls said the overwhelming majority of America was in favor of segregation and laws against miscegenation not that long ago.

The point is that intolerance is far more often the result of ignorance than intention. As people became aware of the issue, it became more and more infeasible to publicly support segregation, to the point where Trent Lott is only just now climbing out of the pit he dug for himself by reminiscing positively about Strom Thurmond’s presidential campaign.

This is why I think it will be a good thing for him to be in the race. Even if he does not win, other candidates will be forced to accept these terms as possible, will be forced to work within them, will be forced to forge coalitions among disparate groups. This does not mean the campaign ought to focus exclusively on these “divisive” issues, but the ability to incorporate the economy, Iraq, job security, health care, race, sexuality, and hope into a broad framework is essential.

And if Obama does win the nomination, I think it may be a great thing for those interested in creating a meaningful progressive coalition bound together by shared dreams, rather than a temporary one created by backlash against GOP corruption, the war in Iraq, and struggling economy. Any candidate can do it, but Obama is likely best-suited to become a rallying point that empowers Democratic candidates across the board in state legislatures, school boards, governorships, and the US Congress, both now and in the future.

As I said in the beginning, I don’t want this come off as absolute support for Obama. I do have a number of concerns, the most important of which is whether the audacity of hope will translate into a real commitment to progressive values. He talks the talk but, for example, he supports the pretense that civil unions are a meaningful compromise on gay marriage. The line between a genuine politics of unity and surrender is a thin one, and even if his ideals do not step over the line, I worry that the rough-and-tumble of politics may defeat idealism. And if that happens, the sheen will quickly rub off and it will become difficult to distinguish Obama from any other centrist candidate.

But at the very least he is an interesting candidate and it’s a good thing for the party to have people like him. If you want more, I can strongly recommend his book The Audacity of Hope, which goes into much greater depth on many of these points and is an enjoyable read in its own right, showing one other great thing about Obama – his talent with words and obvious intelligence and care about language.

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Living like I don’t know

Why in the world aren’t more people talking about The Bittersweets? They’re from the Bay Area, but their debut record The Life You Always Wanted sounds much more like it came from Nashville. And, in my book, it matches up favorably with the best roots/Americana records of the last decade.

To be fair, this is not a record that will change the world – it is just crisp melodies with jangly guitars and songs about love, long nights on highways, and hope for forgiveness. Most of them are quick-paced and light on their feet, but they toss in a couple slower numbers to give you a change of scenery. And if they don’t delve too far into the deeper meanings of life, that simplicity is part of the charm.

In all of this, their name could not be more apt. Happy songs about sad things, a bit of light that holds back the darkness, someone to hold onto when times are tough – these were already cliches long before Springsteen turned them into an entire ethos. But if they are cliches, it is only because life itself is bittersweet, and these simple truths are part of what binds us together.

It gets you right out of the gate with “When the World Ends,” a gentle rocker that gives singer Hannah Prater full room to show off her twang (think a poppier Alison Krauss), and really kicks into gear with “Adam,” which somehow manages to sound both gritty and tender at the same time.

The real jewel of the record, however, is “Long Day,” which encapsulates everything great about the band: a fantastic melody, vocals that ache but never give up, perfectly placed backing instruments, and a chorus to die for.

The rest of the first half is almost as good. The rollicking “Houston” gives songwriter and guitarist Chris Meyers a chance to sing lead as they romp through the stories of lives lived in not-so-quiet desperation. And it closes with “Mostly Happy People,” which calls to mind my other favorite Americana artist this year: Rosanne Cash.

Unfortunately, a weak second half prevents this from being a true classic, but even without standouts, the back end is pleasant enough, and they bring it all back together for the lighters-in-the-air send-off “And Death Shall Have No Dominion.”

MP3s:
Long Day
Adam

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Give me one last love song

Maybe it’s just because I grew up in the US instead of the UK, but I really had no idea about The Beautiful South. I mean, I had heard a few songs by them that I really liked but nothing else. So I went looking for some more only to discover that they’re apparently a pretty big deal over on the other side of the pond, with a few #1 records and a catalogue stretching back almost 20 years.

They formed out of the remains of The Housemartins (another band I am woefully ignorant of, especially given my love for Smiths-esque indie pop) and continued making bright and bubbly guitar-driven songs with dark undertones. Their forte is the ironic love song, which can take on many forms. I still haven’t had the time or opportunity to fully explore their many many records, but here are a few of my favorites so far:

Don’t Marry Her

One of the things I love most about them is their talent in contrasts. This song demonstrates that perfectly. The tune is all sunshine and fluffy bunnies while the female vocals are sweet as honey – and if you aren’t paying close attention to the lyrics, you’ll be sure to suffer serious whiplash when the chorus hits you with “don’t marry her, fuck me.” If there’s a prettier call to one-night stands over true love out there, I’d like to hear it.

One Last Love Song

This is the first one I heard by them and still my favorite. It’s part of that classic genre: the love song about love songs, but it may very well be the best of them. They ridicule the whole process: the overwrought lyrics and the pretense that a song can represent basic and complex emotions. But like most good parody, it works because it betrays a true love for the genre even as it pokes fun. Tongue is in cheek, but it is a self-aware and tender mockery. And a great folk-country influenced pop song as well.

Rose of My Cologne

This one is a single from their newest album Superbi, released earlier this year. Country is no longer just an influence – this is a full-blown country romp, guaranteed to get your toe tapping. Once again demonstrating they have a fine sense for the line between homage and satire, they tell the tale of a dysfunctional family to end them all, a little too crazy to generate much pathos, but a little honest to be purely satire. And when she leaves town and never looks back, you’ll cheer her on.

As for Superbi, it’s gotten basically zero blog coverage, which is a little surprising. It’s not one of the year’s very best records or anything, but it’s pretty good, and a lot of fun. For other tracks, check out “Manchester” and “When Romance is Dead.”

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You are my sweetest downfall

It’s taken a long time, but I’m getting more and more into Regina Spektor. I’ve liked Fidelity from the start, but where it once was a pleasant song, now it’s a virtual obsession. The rest of Begin to Hope is growing on me, too.

But the moment when I knew I had really fallen was when I found out that “Samson,” one of my favorites from that record, is actually a remake from her self-produced Songs in 2002. And while the new one is good, it simply cannot compare to the sparse beauty of the older one.

Samson

The first time I heard this version, I literally stopped what I was doing and stared into space for 4 minutes. While the newer one is pretty, the additional production adds a little too much kitsch for my taste. This one, however, is just Regina and her piano, and the mood is so perfectly set that even that disappears and all I can see is her and Samson in bed, as they melt into each other’s arms and fade out of all knowledge or awareness. As they become lost to history, they become alive for themselves.

It really speaks to me because, well, given the choice: epic fame or a few happy years of love, I would happily fall into the mist with a pretty girl and her piano. I wonder how many of the larger-than-life heroes of our past would wish the same.

It’s especially poignant today, on the 26th anniversary of the death of John Lennon. If we’re speaking of larger than life heroes, who else but The Beatles? They were the modern myth-makers, giants among mortals, but John found a way to disappear as best he could, fading from public life and spending a few tumultuous but happy years with Yoko and Sean. At least, I hope he was happy. The thought that he was helps me to find faith in this crazy world.

God

For almost as long as I can remember, this song has been a sort of mantra for me. It was written as The Beatles were ending and John was struggling to find his place in the world, and is the highlight of the raw and perfect Plastic Ono Band. It begins with one of the truest lines ever sung (“God is just a concept by which we measure our pain”), and then he goes through the list of things he no longer believes in: magic, religion, politics, music…and then ends with:

I don’t believe in Beatles…
I just believe in me
Yoko and me
And that’s reality

And I just fall apart. Even after hearing it hundreds of times, it’s enough to split me into a thousand pieces. Because he’s right – that is reality. All the other stuff seems so important, but it’s when you find that one thing, that one person, it all clarifies.

For several years, I had one person who was my reality. And when she left, I thought about this song a lot. Where do you go when your one reality–the thing that holds you together when all else is chaos–is no longer there?

To start, you cry your eyes out, and for a long time you feel numb. But eventually you realize that when he says “I don’t believe in magic, I don’t believe in Jesus, I don’t believe in Kennedy” he doesn’t mean that those things have been destroyed, or eradicated from his life, that they have no meaning. He means that he found the one perfect instant, the one person, who refracted all of those things and made them real. And the reality of the one person is possible not because it is separate from all the other hopes and dreams, but because it is inextricably attached to them.

For John, God, magic, politics, music, The Beatles, and anything else in which people found meaning were not enough. They weren’t wrong – they just weren’t complete. And all he’s saying is you have to recognize that all of these broad ideals and attempts to define the world are a beautiful dream, but they only gain substance once you can give them up.

The grand narratives only gain meaning when we let them become wholly personal. His reality was not “Yoko,” it was “Yoko and me” – the way he felt about her, and the way that satisfied his need for explanation.

For another, that might be God, or The Beatles, or anything. The important point is that they are all concepts – ways of understanding ourselves. Love for God is no more or less pure than love for a person – it simply is what it is: our attempt to give our existence meaning. All he is saying is that we have to find our own way, our own reality. And, hopefully someone to share it with.

And so, my reality has not been destroyed because the person is gone. My reality was and continues to be the belief in love and the knowledge that everything else I care about is only an imperfect reflection of that most basic belief. The details may change but the reality does not.

These songs are so beautiful because they represent infinite worlds. For a few minutes we see them, but the end of the song is not really the end. Regina and Samson, John and Yoko, they live lives together unseen and unheard, where Samson never tears down the walls and John was never killed.

And that is cause for optimism, not sadness. The dream is over, but as it ends we awaken to discover a smile, a kiss, a lazy afternoon, or a night spent together after history has forgotten us. And we realize that it is enough.

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Knocking the aeroplanes down with stones

I’ve mentioned Architecture in Helsinki a few times in passing, so I thought I might as well do a full post on them. Perhaps the foremost avant-twee group in the world (though I’m not sure how large the competition is) and with a great name to boot, how could I not love them?

Their most recent album is 2005’s In Case We Die, a twee-tinged rock opera full of movements and strings and all kinds of fun.

Do The Whirlwind

This is my favorite track from that record. Most obvious are the wide range of instruments (guitars, brass, even a sitar) and vocals (male and female, alone and together for some nice choral harmonies) deployed, as well as the groovy beat. This is a fun song that casts its net widely. If you like this song, you can also check out a number of remixes courtesy of The Hype Machine.

They have a new record in the works, scheduled to come out sometime in the first half of 2007.

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We can’t go on together

Quick one today: a very fine cover of one of my favorite Elvis songs:

Suspicious Minds – My Morning Jacket

More low-key than the original, this one is pretty much just Jim James and his guitar. The simplicity helps to give the song depth. Where the original is more of a call to arms, to fight for their love, this one is plaintive but tired. You get the sense that he knows it’s doomed but just doesn’t want to admit it.

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Politics Tuesday – Global warming

Welcome to this week’s edition of Politics Tuesday. The subject for today is global warming.

It will be a (slightly) shorter entry today, since working on this substitute computer is really cutting into my efficiency. I’ve spent several years of my life studying fossil fuel consumption, the politics of energy, and climate change so I could talk for hours and hours, but I’ll try to keep it minimal now and go into more detail some other time.

In particular, I’m going to completely ignore the way our fossil fuel dependence shapes foreign policy matters (support for corrupt regimes like Saudi Arabia, belligerent policy in the Middle East, etc.) as well as the economic problems associated with our current consumption patterns, and just talk about the environmental effects.

* * *

First things first, let’s talk about Al Gore. He has been talking about the climate for two decades and is one of the world’s greatest champions on the subject. His most recent foray is the documentary An Inconvenient Truth. It’s not the most exciting movie of the year, but it does a good job of making a point which shouldn’t even have to be argued at this point: global warming is real, and potentially deadly on a scale we can hardly imagine. Instead of spending time arguing this, we ought to be focused on figuring out which approach or approaches will be best for reducing the anthropogenic effect on the global climate.

The movie did surprisingly well (it’s the third highest-grossing documentary of all time), which hopefully means that the sea change in public opinion on this question is happening, if slowly and years later than it should have. It’s out on DVD now if you wan to pick up a copy.

There’s also a great interview with him in GQ where he says he hasn’t completely ruled out running for President (though it doesn’t sound too promising). Perhaps even more importantly, he says there is an upcoming Futurama movie in which he’ll have a role. Futurama might be my favorite TV show of all time so I could hardly be more excited.

This isn’t the first time Gore and Futurama have joined forces. He was in several episodes (including one about global warming), and they helped him promote An Inconvenient Truth:

Another important thing made clear in the interview is that Al Gore the environmental activist is a completely different man from Al Gore the presidential candidate. He’s funny, relaxed, energetic, and doesn’t pull any punches (check out his rant about 9-11 and its aftermath). It just reminds me how much I wish Gore had let this version of himself be the candidate in 2000, or in 2008. It also makes it clear, though, why he might be happier not to force himself back into an unhappy situation. But the guy is really funny. If you need further evidence, check out his appearance on Leno to discuss “glaciers gone wild.”

* * *

The Supreme Court stepped into the global warming ring for the first time last week, hearing Mass v. EPA. The state of Massachusetts, joined by 11 other states and a number of cities and environmental groups is arguing that the EPA has shirked its responsibility, and must regulate carbon dioxide emissions under the Clean Air Act. If they win, it would require sweeping new regulations to limit emissions.

The case will most likely be decided on the most basic question: whether the states even have standing to bring the case in the first place. If standing is denied it will almost completely close the Courts as an avenue for redressing global warming. This would not necessarily be the end of the world, since Congress and the Executive are more reasonably tailored to deal with this issue and could still act on their own. However, while those branches have (mostly) recognized the need for some action, they have done virtually nothing about it.

* * *

Why have they done nothing? Thanks to people like James Inhofe, the Senator from Oklahoma who will soon be asked to step down from his role as Chair of the Senate Environment and Public Works Committee, and who has described global warming as “the greatest hoax ever perpetrated on the American people.”

His last act as Chair: to hold a hearing on the media hyping of global warming. You go get ‘em, Jim.

* * *

Three songs about global warming for you: one whimsical, one earnest, one angry.

Manhattan in January – Jill Sobule
Sleeping In – The Postal Service
Kyoto Now – Bad Religion

* * *

Finally, a brief return to last week’s subject of Iraq. The Iraq Study Group’s report will be released tomorrow. Check out the US Institute for Peace or the Center for Strategic and International Studies, or just watch the news and you can see what they have to say.

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Broken computer

My computer is busted, which means I’m typing this on some dinosaur of an old desktop eMac. This is likely to seriously cut into the amount of posting I can do for the next couple weeks, though I’ll try to get on and get it working as much as possible.

No music from me today, but I can recommend you stop by hearsay for some more new Modest Mouse. Same songs as the ones from the Wiltern show I posted a few weeks ago, but much better sound quality. I will say that despite the better quality of these, I think I prefer the feel of the older ones. More melodic, perhaps. Regardless, hearing more of them only makes me more excited for the new album.

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